see syllabus for assignments
also, read Lamott "Polaroids" etc...
remember to type and bring copies of your stories to workshop and turn in
and see fiction writing exercises/assignments below; you should be working on these, finish, type, and bring for the workshop and to turn in on Monday and for the Portfolio on Wednesday...
Wednesday, May 29, 2013
Fiction Writing Outside Details
Follow the instructions below,
focusing on one step at a time, to generate material for a single, or multiple,
piece(s) of writing.
1.
Take a walk around campus (20 min; check your
watch or set a timer). Make a list of at least 25-30 concrete details; try to
stay away from entirely nature-related details but include a variety of kinds
of details from things you encounter/notice/observe/think about while walking
around campus.
2.
Come
back to the classroom. Sit and work on the following, separately from the
previous list of details:
Write a 10-sentence (or more) paragraph that describes an
emotion you are feeling today without using the word for the emotion or stating
it explicitly. Describe the feeling through all of the senses. Use images and
sentences that evoke the senses, use metaphor or analogy to describe and evoke
even further, use detail and description to make the writing dynamic and lively.
Create language and images that are unexpected and get at the emotion from a perspective
you maybe have not thought about before.
3.
Turn
your original list of details from above into a list of images (whole phrases,
lines you might use in a poem, or sentences).
4.
Finally, once you have done all of the above,
see what you have. Work on deciding what to do next. Combine the materials from
the detail list, the image list, and the paragraph to construct a single or
multiple poem/poems or story/stories. You decide the genre and how to use the
material you’ve generated to do the next step of the writing process. Write a
draft(s), keep working on it to revise, continue, etc.
Wednesday, May 22, 2013
For Next Week
Follow the syllabus for reading assignments.
Keep working on the fiction writing exercises (Description and Qualities are below; the imitation exercise we did in class). We will have a fiction workshop in class on June 3.
No Class Mon 5/27. On Wed read Lamott (skip the Goldberg that is listed on the syllabus) and all of Juice (you should have the book already).
Fiction Writing Exercise: Qualities
*Make
a list of four qualities/characteristics that describe a character real or
imagined. Place that character in a scene and write the scene so that the
qualities are conveyed through significant detail. Use no generalizations and
no judgments. No word on your list should appear in the scene. Use detail and
description to SHOW the qualities through the scene and the actions of the
character.
Monday, May 20, 2013
fiction exercise description
Description
Format:
Under 500 words. Double-space if writing
prose, using 12-point Times Roman font.
The Assignment:
1.
Write a description of a
place, thing, or emotion, aiming to provide unique detail, without giving away
the name of what it is that you are describing:
Place,
Thing, or Emotion
Describe a place, but without naming the
place. E.g., a place you know very well in Ypsilanti or in your home town.
Describe an emotion, but without naming the
emotion.
Describe a thing, without naming the thing.
The aim in all three cases is to avoid
abstraction and cliché and to pay attention to vocabulary.
Note #1: Try to avoid writing a riddle or
making a puzzle where the reader is put in the position of guessing at what the
identity is of the described place, thing or emotion.
Note #2: Do not describe a person or
character.
2.
Put a character into that
place or emotion (emotional state) to whom, or in which place, something
happens.
3.
Turn this into a work of “Microfiction”:
Very short stories are variously referred
to as microfiction, sudden fiction, flash fiction, postcard fiction, palm of
hand fictions, among other terms. Word
counts vary as well, though most examples of these genres run under 500
words. Also in productive dispute are
the requisite features of a successful short short fiction. Some writers call for a clear sense of
beginning/middle/end and a conflict/resolution.
Others allow for stories that are akin to portraits, slice-of-life
vignettes, or works of prose poetry.
Feel free to explore any of these options when writing your own
microfiction.
Wednesday, May 15, 2013
May 20 & 22
Please follow the syllabus for reading and other assignments (Lamott and Burroway readings on writing fiction; short fiction packet 1; 20 poetry projects from class writing; fiction packet 2).
Readings can be found on myemich.
You have the poetry portfolio assignment.
The 20 poetry projects is on myemich; finish it and decide what to do with it (rearrange, edit, revise, change, add, subtract) to turn it into 1 or 2 poems) and which you can also include in your portfolio if you like...
Write your blog response on the fiction readings; they are due Monday by class time.
Readings can be found on myemich.
You have the poetry portfolio assignment.
The 20 poetry projects is on myemich; finish it and decide what to do with it (rearrange, edit, revise, change, add, subtract) to turn it into 1 or 2 poems) and which you can also include in your portfolio if you like...
Write your blog response on the fiction readings; they are due Monday by class time.
Monday, May 13, 2013
for Wed
For the in-class poetry workshop on Wed bring 2 copies of 2 poems to share and discuss (from the poetry assignments including 20 word list, sonnets, Fluorescence exercise). Turn in 2 poems and use the other copies to share in a group and discuss.
Follow the syllabus for reading assignments.
Follow the syllabus for reading assignments.
Wednesday, May 8, 2013
for next week
Follow the syllabus for assignments for next week
Read the selections by Goldberg and Cameron if you have not already.
Finish reading the poems in the poetry packet and come prepared to discuss some of the poems specifically
Read the 1st half of Fluorescence and come prepared to discuss
Write your blog post response on any of the poems from the packet or Fluorescence. See response assignment on the syllabus.
Link to Sonnet Info: https://www.poets.org/viewmedia.php/prmMID/5791
writing exercises:
continue working on the 20-word poems
write 3 sonnets: one in a traditional form (after Shakespeare for example) and 2 in a more contemporary forms (there are no rules, let the form take the sonnet idea to whatever edge and then go further)
Read the selections by Goldberg and Cameron if you have not already.
Finish reading the poems in the poetry packet and come prepared to discuss some of the poems specifically
Read the 1st half of Fluorescence and come prepared to discuss
Write your blog post response on any of the poems from the packet or Fluorescence. See response assignment on the syllabus.
Link to Sonnet Info: https://www.poets.org/viewmedia.php/prmMID/5791
writing exercises:
continue working on the 20-word poems
write 3 sonnets: one in a traditional form (after Shakespeare for example) and 2 in a more contemporary forms (there are no rules, let the form take the sonnet idea to whatever edge and then go further)
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